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(The interpretation is hypothetical - The art/lyrics is REAL evidence)

Now Playing - 'Echoes' by 'Pink Floyd' sequenced by 'Cosmorock'

(Electric Light Orchestra)

This is a story of censorship, confusion, the dumbing down of America(/the world), the international record conspiracy, intrigue, the machine, music, mystery, mayhem, the vast right-wing conspiracy, the war on the arts/music, etc. It will build.


Here, check this out. This is official (IMHO) information from Camel about the "Humpheads" (which says something about the unauthorized Camel list, Camelogue, that resides on www.roadkill.com), the so-called bootleg series cover art -




You see music fans, IMHO, Camel is trying to tell us something here. Camel seems to be trying to warn us about something.


1) Notice the humps in the triangles in the first 'bootleg' and notice that in the others there is a Camel instead. Also notice that there is a bold "WARNING:" on that 1st one, but not the others. IMHO Camel is saying - "Beware of the Humpheads!" (StanNote: The "Humpheads" are a gang of goons, apparently sent in to destroy Camel by the "international record syndicate" (Miles A. Copeland III) (ie; the fish-cult) giving Camel a bad/false name/image. If you've ever been treated badly by someone claiming to be a Camel fan, it probably wasn't really a Camel fan, it was probably a "Humphead". You'll find them "lurking" (dictionary definition) on the Camelogue list running away Camel fans, and running most of the (supposed) Camel websites and probably many of the related websites as well. Those scam sites are there for a reason, to lure you to the Camelogue mind-control (see Pressure Points cover at Camel Live Cover Art Study) list.


2) Why, you ask, only the warning on only one 'bootleg'? I'll tell you why. Because Camel's trying to tell you that Camel and fans are fine. Nothin' wrong with us. So, no warning on the 'bootlegs' with the Camel in the triangle.


3) Why, you ask, only the warning specificly on the '72 'bootleg'? I'll tell you why. Because Camel is trying to tell you that they've been in trouble since about 1972. Specificly, it was when they signed their record contract. This is from the 'Nude' liner notes - " ... Nude was last seen on a summer evening in 1972 talking to a small group of people just before he sailed out of the harbour (of Tears, got it?) ... " (Camel's 1st album was released in 1973)


4) Why, you ask, the triangles? In no particular order ;-) -

a) to connect you with Happy The Man. Here's an Arista record label -


But why you ask? Look closely at that label and look who engineered that album. Notice it's Ken Scott who did it. Ken Scott engineered another (amongst many others) excellent album that Camel would like you to think about. Here's the one in particular -


Hmm, it seems that I solved the Crime of the Century! This is bound to get more interesting, keep that 'open-mind' and keep reading! No wonder they didn't let Camel open for Supertramp for that tour so many years ago (the real Crime of the Century)!!! But back to it -

b) to connect you with the Alan Parsons Project, also on Arista, c) To connect you to Todd Rundgren's Wizard, a True Star, c) To connect you with Dark Side Of The Moon by Pink Floyd and d) to connect you back to the Camel albums that were released on Arista.

Let me expand: b) Why connect with Alan Parson's Project? Many reasons. :-) And in no particular order - 1) Maybe you'll listen to this album -


Here's from I Robot's liner notes - "The story of the rise of the machine and the decline of man, which paradoxacally coincided with his discovery of the wheel...and a warning that his brief dominance of this planet will probably end, because man tried to create robot in his own image."

2) perhaps so you'll figure out what Alan Parson's project was (which I believe was designed to break the "machine" that 'Captured' Pink Floyd)

3) perhaps it was because Alan Parsons engineered 'Dark Side Of The Moon' and -

4) Because Alan Parson's Project has one of those "pesky" (Carl Finch, Brave Combo) little lists aimed at it. Guess where it resides. www.roadkill.com (the server where Camelogue resides.) I believe that 'I Robot' is about that list.

c) Why connect with Todd Rundgren's 'Wizard, a True Star'? First, gotta show that it does (via triangles (and other important ways(see below)) -



Ok, you say to yourself, that you see the triangles. That was the easy one. Here's the connection to Camel. Todd Rundgren has one of those "pesky" little lists (and a newsgroup (alt.music.todd-rundgren) aimed at him. Guess where it resides. www.roadkill.com. How did you figure it out? Good guess! So you see, our Camel "Moderator Nazi" (his words), &y/AndyBurnett/Tom Nicholaides/Roger Linder(no doubt), is Todd's "A Wizard". And if there really is a Roger Linder and he's the "A Wizard", "&y" is still "THE Wizard", according to www.roadkill.com.

But another word is left available - genius. A genius is one who can (eventually) get everything out in the open, simply by planting a little trap. By attempting to sneak crosses through the censors, the censors expose WHAT they are censoring by showing how tough it is for the musicians to get those crosses through the censors. And that exposes WHO does the censoring. Camel = genius! (see Camel studio cover art)

Back to the record, though. You probably don't notice this, but the original pressing came from the factory with the edges cut away. The "Wizard" is eating into Todd Rundgren's career and good name, and turning it into something bad. How? With that list and a gang of record company goons, IMHO, that (used to, undoubtably) called themselves, you'll never guess - "Onionheads". You will find a song called "Just Another Onionhead" on that incredible record, much about that list, IMHO. Here's the lyrics (see More Resources below for my sequence of Just Another Onionhead) -

First, this line - "The hat band then begins to play, The song is everywhere"

That refers to the "Bandwagon" (everyone jumping in on the bandwagon) fallacy that you see happening on those lists. You are surrounded. But the fallacy is that just because everyone else might say something different than you, that doesn't mean that you're wrong. I also see some characters that matches certain characters I've found elsewhere. Check these out -

"Groucho" would be Joe that used to operate with the 'Bucketheads' in the setup Combo forum (they used Joe to take the Finch/Barnes/Hernandez out of the Combo (which is why he was allowed to stay on the list by the Bucketheads.) But that was fine with the Combo, because everybody who knows anything about the Combo knows who the main-stays are, and as such it simply further exposed the Buckethead's diabolical schemes.)

Here's how the Combo emphasized that. They did this old cover for 'No No No - Cha Cha Cha' (and quite well, I might add) -

And Todd identifies which gang has been hanging around his concerts driving away fans - "I'll shave my skull instead, be just another Onionhead" - 'Right' on! The Skinheads! Very good. And who hired them? This line tells that story - "A sip of holy water, A shot of saving grace"

Another thing, you can see that the "Wizard" is chopping up Todd Rundgrens name up there at the top. Much the way David Carter and the Bucketheads like to create problems for the Brave Combo. They fought back in the way 'Hips' do, anyway we can. And if art is the only vehicle we have, then we have to use it. I present a Brave Combo bumper sticker -


Not only is the name chopped up, but the it is going down. But thanks to some changes forced on the Combo's website (including the taking down of the feedback list), we have a new direction -


The name is still chopped up (the Combo's website still doesn't give an accurate representation of what the Combo is about, but at this point, it isn't a negative mis-representation). Anyhow, 'Wizard, a True Star' ends with a tune called "Just One Victory". Here's one for ya, Todd! I apparently have 3 pictures, his phone number, and the regional location of 'Wizard', click here - THE Wizard/Moderator Nazi

Here's some selected lyrics -

I do believe that Todd Rundgren's "genius" is tacit.


And if you think it's not Camel that's lost it's identity due to the machine, think again. Here's a collage of Camel logos put together by a scam (IMHO) Camel site, The Camel Page -


Notice that only one Camel logo has been used twice. Camel is still searching for it's identity.


And on d) the 'Dark Side of the Moon' connection. Here's another tringle on the record label -


Remember music fans, the record companies erased clues when they re-issued records, and when they re-issue on cd. Save your old record collections. Seriously.

Oh yea, why connect to 'Dark Side of the Moon?' Anyone remember a little Pink Floyd thing goin' around about how if you listen to Dark Side and watch a certain movie with the sound down how it all is syncronized? That movie is called - "The Wizard of Oz". [BIG GRIN!] I think it was intentional. :-)

Here's what Pink Floyd was trying to say with that sync. thing, IMHO - "It was intentional, but we can't tell you that because the censor nazis won't let us!"

On the 'Camel Live Cover Art Study' page I mentioned that box that the "Know-nothings" placed themselves by censoring Camel, this is another example. Because the release of the video of Wizard of Oz was well out and many copies had been sold before the 'sync' thing came to light, the Censor Nazis have had to go another step further.

You see, I went on a search for the Wizard of Oz on video, and guess what. I couldn't find it (for the longest time). I asked one store clerk and she informed me that it had been recalled. I wonder why? ;-) Well I found out, to replace it with a newly digital remastered version. You better see my Desecration of 'The Dark Side of the Moon' page about that.

So, if you STILL don't believe me, go out there and see if you find find a copy. I even challenge you to find one to rent. They are erasing evidence.

And one reason they've really tried to erase Breathless, I do believe, is because of a certain song on it. This song is supposedly about the breakup of the Bardens/Latimer writing team (but Starlight Ride is that tune) (see More Resources below for my sequence of Rainbow's End) -

Key lines - "We began by sharing more together, Black against white, Made it alright"

Even though being one of the first major movies to be released in color, The Wizard of Oz begins (and ends) in black and white. And it's something that's most mentioned as being what "made" the movie so great, something I agree with.

And - "So keep on looking for that rainbow, rainbow, rainbow's end."

This is the cover of the original pressing of Pink Floyd's 'The Dark Side of the Moon' -


Notice, rainbow continues all across the inside, making the rainbow begin and end at a prizm/triangle. We found the "rainbow's end." So -

"And when you find the rainbow, rainbow, start out again"

So, now that the rainbow's end has been found, you're supposed to be looking for the so-called synchronization phenomenom. Get it?

Here's a comparison of the record vs. cd art of Dark Side - The Desecration of 'The Dark Side of the Moon'

STILL don't believe me and Camel? Perhaps you'll believe 'The Police' -


I'd like to share the lyrics of a tune from this album, a tune called Sychronicity I -

Starting to believe now? :-) Key lines - "With one breath, With one flow, You will know, Synchronicity"

I'd like to share something that Ray said on his Pink Floyd/Wizard of Oz Synchronization Phenomenom page - "You'll know you've got it right when the first chord of "Breathe" comes in at the same time "Produced by Mervyn LeRoy" is displayed on the screen. Dorothy is teetering on the fence to the pig bin when the band is singing "balanced on the biggest wave" from the song "Breathe"."

"A sleep trance, A dream dance" - The Wizard of Oz occurs mostly in a dream of Dorothy's.

"The missing link, Synchronicity" - Right on! The missing link is the Dark Side/Wizard Oz synchronization! Very good!

"A star fall, A phone call, It joins all, Synchronicity" - The phone call is the call from the record company with a record contract. Actually, there's another *VERY* applicable interpretation - the phone calls are the "phony calls" ("Weird Al" Yankovic) that are made when they use the telephone system to logon to the net.

"It's so deep, It's so wide, You're inside, Synchronicity" - Guess what, he's talking about Hillary's "Vast Right-Wing Conspiracy"!


And on e)? Let's see, the Arista albums. There's Breathless, The Single Factor, I Can See Your House From Here. For 'right' now, I'll just say this: Here's a song from The Single Factor -

Camelogue (lyrics by Susan Hoover)

Standing on the crosswalk
Wonder which direction to go
Listen to the small talk
Claiming how they told me so

I improvise, have to keep going for the song and the road
A lonely rise, now I'm relying on a song of my own, my own

Early undetected
Trouble had divided in two
Acting unaffected
Reflecting on the things I do

A solo rise, have to keep going for the song and the road
Temptation sighs, leave us a memory we've loved to know

Fighting the lead
I was so confused
Feeling so accused

A solo rise, have to keep going for the song and the road
Temptation sighs, leave us a memory we've loved to know
What can I do?

You are probably asking why Camel just doesn't come out and say - 'Hey Camel fans, watch out for that CameBacklot list!'? Here's why. They can't. They can't get it pressed. The "Know-nothing" movement has control of the printing companies and the cd/record factories and they have "Censor Nazis". AND they can't tell you via phone, their phones are probably tapped. AND they can't tell you via snail-mail, they have "Know-nothings" working the post office too. And they can't tell you at a gig, they have "Humpheads" watching over 'em making sure that they don't.

But it didn't start with the net. You'll notice in my art collection, that I include some stuff that predates the net (and what it evolved from, the ARPANET). It started back with those little plugs to write to supposed fan clubs on the back of records. 'Noted' San Diego/Long Beach area saxaphonist George Matoian, who recently started Gemtone Records - " ... I don't believe technology changes the basic nature of an industry."


So you should now understand why you've probably never heard of Camel, one of the greatest progressive bands ever. You were censored from hearing them.

Camel fans, if you're on that CameBacklot list (or if you aren't), Camel would advise you (if she could) to write to Camel Productions to get on their snail mailing list. It's your only contact to them. Here's from 'The Nature of the Beast' vol 2 num 1 - "Not just a database - Camel's mailing list ('The Nature of the Beast') is a lifeline to the band ... " Here is the address -

Why did they move to Mountain View, you forgot to ask? I'll tell you why. Because the software that is that mind-control list, Camelogue, was written in Mountain View by - Great Circle Associates. Camel is trying to tell you in every way possible that she is concerned about what's goin' on over on that list.

If you're on the net (and speaking), Big 'Fish' Brother is watching you. Register and Vote out the Censor Nazis!

Stan Rosenthal,
'Stan and the Sequencers'

Camel Studio Cover Art Study

More Resources